- Free quality transitions available for Premiere Pr - Adobe Support Community -
The Lens Flare effect simulates the refraction caused by shining a bright light into the camera lens. The Lightning effect is automatically animated without keyframes across the time range of the clip. The Ramp effect creates a color gradient. You can create linear or radial ramps and vary the position and colors of the ramp over time. Use the Ramp Scatter control to disperse the ramp colors and eliminate banding. You cannot animate this effect with keyframes. Click that appears in the box to toggle the effect off.
The Color Pass effect converts a clip to grayscale, with the exception of a single specified color. Use the Color Pass effect to highlight a particular area of a clip.
For example, in a clip of a basketball game, you could highlight the basketball by selecting and preserving its color, while keeping the rest of the clip displayed in grayscale. Note, however, that with the Color Pass effect, you can isolate only colors, not objects within the clip.
The Color Replace effect replaces all occurrences of a selected color with a new color, preserving any gray levels. Using this effect, you could change the color of an object in an image by selecting it and then adjusting the controls to create a different color. The Gamma Correction effect lightens or darkens a clip without substantially changing the shadows and highlights.
It does this by changing the brightness levels of the midtones the middle-gray levels , while leaving the dark and light areas unaffected. The default gamma setting is Use the Alpha Adjust effect in place of the Opacity effect when you need to change the default render order of Fixed effects.
Change the opacity percentage to create levels of transparency. The Color Key effect keys out all image pixels that are similar to a specified key color. This effect modifies only the alpha channel of a clip. The Luma Key effect keys out all the regions of a layer with a specified luminance or brightness.
Use this effect if the object from which you want to create a matte has a greatly different luminance value than its background. For example, if you want to create a matte for musical notes on a white background, you can key out the brighter values; the dark musical notes become the only opaque areas.
The Track Matte Key reveals one clip background clip through another superimposed clip , using a third file as a matte that creates transparent areas in the superimposed clip. This effect requires two clips and a matte, each placed on its own track. White areas in the matte are opaque in the superimposed clip, preventing underlying clips from showing through. Black areas in the matte are transparent, and gray areas are partially transparent.
A matte containing motion is called a traveling matte or moving matte. This matte consists of either motion footage, such as a green-screen silhouette, or a still image matte that has been animated.
You can animate a still by applying the Motion effect to the matte. Controls the transparency of the source when keyed over a background. Values range from 0 through The default value is Increases the opacity of light areas of the source image.
You can use Highlight to extract details like specular highlights on transparent objects. Increases the opacity of dark areas of the source image. You can use Shadow to correct a dark element that became transparent because of color spill.
Filters out colors in the foreground image from the background. Increases tolerance to variation from the key color.
You can use Tolerance to remove artifacts caused by color shift. You can also use Tolerance to control spill on skin tones and dark areas. Filters out noise, often caused by grainy or low light footage, from the alpha channel. The higher the quality of your source image, the lower you can set Pedestal. Shrinks the size of the alpha channel matte.
Performs a morphological Erode fractional kernel size. Choke Level Values range from 0 through The default value is 0. Blurs the edge of the alpha channel matte. Performs a box blur filter fractional kernel size. Blur Level values range from 0 through Adjusts the contrast of the alpha channel.
Chooses the balance point for the contrast value. Controls the saturation of the color channel background color. Desaturates colors that are close to being fully transparent. Controls the amount of spill that is corrected. Adjusts the amount of spill compensation. Works with the alpha channel to restore the original luminance of the source.
Controls the saturation of the foreground source. A setting of zero removes all chroma. Controls the luminance of the foreground source. The Difference Matte effect creates transparency by comparing a source clip with a difference clip, and then keying out pixels in the source image that match both the position and color in the difference image.
Often the difference clip is simply a frame of background footage before the moving object has entered the scene. For this reason, the Difference Matte effect is best used for scenes that have been shot with a stationary camera and an unmoving background. Original image B. Background image C. Image on second track D. Final composite image. The Difference Matte creates transparency by comparing a specified still image with a specified clip and then eliminating areas in the clip that match those in the image.
This key can be used to create special effects. You can create the matte by saving a frame from a clip that shows the static background before the moving object enters the scene. For best results, neither the camera nor anything in the background should move.
Difference Layer. If Layer Sizes Differ. Matching Tolerance. Matching Softness. Blur Before Difference. A new keyframe appears in the Effect Controls timeline when you change the settings.
You can also adjust the interpolation between keyframes by editing the keyframe graph. Repeat this step as needed. The transparent areas reveal the image produced by clips in lower tracks. You can specify any still image clip in the project to serve as the matte; it does not have to be in the sequence.
To use a moving image as the matte, use the Track Matte Key effect instead. To get the most predictable results, choose a grayscale image for your image matte, unless you want to alter colors in the clip. Any color in the image matte removes the same level of color from the clip you are keying. The Non Red Key effect creates transparency from green or blue backgrounds. This key is similar to the Blue Screen Key effect, but it also lets you blend two clips.
In addition, the Non Red Key effect helps reduce fringing around the edges of nontransparent objects. Sets the levels of blue or green that determine transparent areas in the clip. Dragging the Threshold slider to the left increases the amount of transparency.
Use the Mask Only option to view the black transparent areas as you move the Threshold slider. Sets the opacity of nontransparent areas specified by the Threshold slider.
Higher values increase transparency. Drag to the right until the opaque area reaches a satisfactory level. Removes residual green or blue screen color from the edges of the opaque areas of a clip. Choose None to disable defringing. Choose Green or Blue to remove a residual edge from green-screen or blue-screen footage, respectively.
Specifies the amount of anti-aliasing softening that Premiere Pro applies to the boundary between transparent and opaque regions. Choose None to produce sharp edges, with no anti-aliasing. This option is useful when you want to preserve sharp lines, such as those in titles. Choose Low or High to produce different amounts of smoothing. Black represents transparent areas, white represents opaque areas, and gray represents partially transparent areas.
The Remove Matte effect removes color fringes from clips that are premultiplied with a color. It is useful when combining alpha channels with fill textures from separate files. If you import footage with a premultiplied alpha channel, or if you create alpha channels with After Effects, you may need to remove halos from an image. Halos are caused by a large contrast between the image's color and the background, or matte, color. Removing or changing the color of the matte can remove the halos.
Use Background Color to specify the new background color when you want to change the color of a matte. A new keyframe appears in the Effect Controls timeline when you move the handles in the Program Monitor or change the settings in the Effect Controls panel. Insert the still image into another sequence, and superimpose the sequence containing the still image over the track containing the background clip.
If you need to add a new track to the sequence, drag the track matte clip to the empty area above the highest video track in a Timeline panel. A new track is created automatically. To retain the original colors in the superimposed clip, use a grayscale image for the matte.
Any color in the matte removes the same level of color from the superimposed clip. Use the Title panel to create text or shapes grayscale only , save the title, and then import the file as your matte. The Track Matte Key effect creates transparent areas in a clip that correspond to the luminance levels of another clip.
Transparent areas reveal the image produced by clips in lower tracks. You can use the Track Matte Key effect to blur and obscure faces, license plate numbers, or other identifying features. Television programs use this effect to protect the identities of their subjects.
The Basic 3D effect manipulates a clip in 3D space. You can rotate an image around horizontal and vertical axes and move it toward or away from you. With Basic 3D, you can also create a specular highlight to give the appearance of light reflecting off a rotated surface.
The light source for the specular highlight is always above, behind, and to the left of the viewer. Because the light comes from above, the image must be tilted backward to see this reflection. Specular highlights can enhance the realism of the 3D appearance. The Drop Shadow effect adds a shadow that appears behind the clip. The Alpha Glow effect adds color around the edges of a masked alpha channel.
You can have a single color either fade out or change to a second color as it moves away from the edge. The Brush Strokes effect applies a rough painted look to an image. You can also use this effect to achieve a pointillist style by setting the length of the brush strokes to 0 and increasing the stroke density. Although you specify the direction of strokes, they are scattered randomly by a small amount to give a more natural result. The Emboss effect sharpens the edges of objects in the image and suppresses colors.
The effect also highlights the edges from a specified angle. The Find Edges effect identifies the areas of the image that have significant transitions and emphasizes the edges. Edges can appear as dark lines against a white background or colored lines against a black background.
You can add a transition. Here you could add a standard transition. Insufficient outgoing and incoming handles. You can add a short transition. Here you could add a centered transition with a duration of No handles. Insufficient outgoing handle. Roll the edit point to the left to restore handle. No outgoing handle.
Insufficient incoming handle. Roll the edit point to the right to restore handle. No incoming handle. Apply transitions between two clips. To apply a transition between two clips, do the following:. Expand the bin containing the transition you want to use.
Apply a single-sided transition. Using single-sided transitions, you have more control over how clips transition. To apply a single-sided transition, do the following:. End At Cut icon : Aligns the end of the transition to the end of the first clip. Start At Cut icon : Aligns the beginning of the transition to the beginning of the second clip.
Set and apply default transitions. Set a default transition. Select the transition that you want to make the default. Click the Menu button for the Effects panel, or right-click the transition.
Set the duration of the default transition. Do one of the following:. Apply default transitions between selected clips. In the Timeline, select two or more clips.
Shift-click clips, or draw a marquee over them, to select them. Copy and paste transitions. Select a transition in a sequence. To copy a transition to a single clip: Move the current-time indicator to the cut line where you want to paste the transition. To copy a transition to multiple clips: S elect multiple edit points in the sequence by dragging a marquee around the edit points, or by using the Shift key with any trim tool. Replace a transition. More like this Change transition settings.
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Titles and closed captioning.
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